Elementary Theory of Music And the Treatment of Chords
Elementary Theory of Music And the Treatment of Chords
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To quickly assess the difficulty of the text, read a short excerpt:
In short, all those parts of a measure which are the initial note of a triplet, receive a slight accent.
— 16 — The following table shows the various kinds of measure with their different accents.
a ; 4 S 4 ^ 4 4 4 4 J J I I I m 4 4 4 J I I 4 4 4 4 4 4 J J I !
9 a T f ^ J J J J J J J J J — 17 — The following example shows into how many different forms rhythm can be separated.
G J J ^ ^— J J -—J S.
' ! J J 1 ^ d 4 I I I 4 J J ; J I III I, !!
C J /TlS J J #_ 4 ^ ^ # ^ g I — ?=T=^ I I — ^ I I H 4 ...4 4 4 \ 4 4 I i_ 2 j — =*=i — \ — I M 4 4 4 4 4 4_ 4 4 4. _m 4_ %- I J I I I I ^-^ I 3 II jO. \ (^ ^ ^ |_, 2 i-^S l_i22 1-^2 |_J W ^ i rn^ I I I I ^ 4- 4 4 4 4' 4- I ^^ h J' 4 4 4 I I 4_1 4_ fi I I I I I 1 I I 4 ^J 4 4 4 \ a- ^' I /^ I I A^ 444 ^_^U. J J. | J. | l " iJ-JJ g 1 I 1 I I I I 4 cf' \4 4 4 \a I I i I I U ^ - 1-^ • I ^ ' I J- Z fi> . I g) g) g) I ^_^ I (g ' I >g ' I ry « I J II — 18 — The Degree of Motion in which a composition is to be executed is, amongst musicians, ahuost universally indicated by the Italian so-called Tempo Signs, the chief of which are : * 1.
What to read after Elementary Theory of Music And the Treatment of Chords?
You can find similar books in the "Read Also" column, or choose other free books by Richard Ferdinand Werst to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In short, all those parts of a measure which are the initial note of a triplet, receive a slight accent.
— 16 — The following table shows the various kinds of measure with their different accents.
a ; 4 S 4 ^ 4 4 4 4 J J I I I m 4 4 4 J I I 4 4 4 4 4 4 J J I !
9 a T f ^ J J J J J J J J J — 17 — The following example shows into how many different forms rhythm can be separated.
G J J ^ ^— J J -—J S.
' ! J J 1 ^ d 4 I I I 4 J J ; J I III I, !!
C J /TlS J J #_ 4 ^ ^ # ^ g I — ?=T=^ I I — ^ I I H 4 ...4 4 4 \ 4 4 I i_ 2 j — =*=i — \ — I M 4 4 4 4 4 4_ 4 4 4. _m 4_ %- I J I I I I ^-^ I 3 II jO. \ (^ ^ ^ |_, 2 i-^S l_i22 1-^2 |_J W ^ i rn^ I I I I ^ 4- 4 4 4 4' 4- I ^^ h J' 4 4 4 I I 4_1 4_ fi I I I I I 1 I I 4 ^J 4 4 4 \ a- ^' I /^ I I A^ 444 ^_^U. J J. | J. | l " iJ-JJ g 1 I 1 I I I I 4 cf' \4 4 4 \a I I i I I U ^ - 1-^ • I ^ ' I J- Z fi> . I g) g) g) I ^_^ I (g ' I >g ' I ry « I J II — 18 — The Degree of Motion in which a composition is to be executed is, amongst musicians, ahuost universally indicated by the Italian so-called Tempo Signs, the chief of which are : * 1.
What to read after Elementary Theory of Music And the Treatment of Chords?
You can find similar books in the "Read Also" column, or choose other free books by Richard Ferdinand Werst to read onlineMoreLess
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