Contrapuntal Technique in the Sixteenth Century

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They may themselves not be able to follow such criticism, they may be unable to deduce the spiritual from the technical, and it would be unreasonable to demand that they should be able to do so. But this incapacity, though it is not their fault, is certainly their mis- fortune, for in the technique is the clue to the personality. There is, of course, an incapacity precisely opposite ; a man may have made himself mechanically familiar with musical technique, and yet have no true musical understa...nding. He is in far worse case, for the composer's message never reaches him at all, whereas the others, though liable to misconception, can grasp its essential purport. The real musician, who is bound by neither of these limitations, can well afford to spend some time on considerations of a purely technical character. He will not mistake the means for the effect, but he will realize that you cannot have the one without the other ; in the idiosyncrasies of the craftsman he will try to discern the mentality of the artist.

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