Dancing With Helen Moller Her Own Statement of Her Philosophy And Practice And

Cover Dancing With Helen Moller Her Own Statement of Her Philosophy And Practice And
Dancing With Helen Moller Her Own Statement of Her Philosophy And Practice And
Helen Moller
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Our Debt to Classic Sculpture Dimly, perhaps, but still plainly enough to con- vince us of their truth, all these testimonies are corrob- orated in what is preserved to us of the sculpture of that period. We who are earnest in our efforts to replace dancing upon its ancient foundation of truth and beauty should therefore give constant study to the sculptures which so faithfully portray it. A modern close student of the subject John Warrack has well written: "It would be difficult to overestimat
...e the value of dancing of so highly intellectualized a type in educating a nation in the elements of sculpture. The dancer had to repro- duce, with little if any external aid, the whole range of human thought and feeling in terms of bodily gesture and movement, and his art was closely followed and criti- cized by a crowd of keenly discriminating spectators, who condemned any departure from the severest artistic seemliness and restraint. His physical conformation, his fairness of proportion and his condition had to come up to the most exacting standards.

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