Harmonic Analysis a Course in the Analysis of the Chords And of the Non Harmoni

Cover Harmonic Analysis a Course in the Analysis of the Chords And of the Non Harmoni
Harmonic Analysis a Course in the Analysis of the Chords And of the Non Harmoni
Benjamin Cutter
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r : N, t UKFKUKXCKS. Srliumaiin. Op. (>. No. 4, in . OO : O]\ f>. Nos. >, l:>. Is. 1 : Cminor. Ktude. No. 1. In. Li; (Iriei;, Op. I'J. No. 5; Chopin. Prehnl. ', No. 2.
6 HARMONIC ANALYSIS.
Section 42. The Augmented Sixth Chords. The inver- sions of those chords which by alteration, and before inversion, contain a diminished third, and which after proper inversion are known as the Augmented Sixth ( 64 ), the Augmented Six-Five (* + ), the Augmented Six-Four-Three (J+Y and the Doubly Aug- mented
...Fourth (4++ or 4-H-), are common in music of all kinds as 3 ' harmonies used to strengthen the key impression, or to enrich the chord structure, or to produce modulations.
They often give especial trouble to the scholar in Analysis, trouble due in part to a neglect to learn the chords thoroughly in the Harmony Course, and in part because the * + and the 4++, through enharmonics, are used interchangeably, causing confusion to the unversed. To illustrate : the interval of an augmented sixth, A** F$, when the tendencies of its tones are followed, resolves to G G, the flatted tone falling, the sharped tone rising.


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