Introduction to the Study of Indian Music An Attempt to Reconcile Modern Hindu

Cover Introduction to the Study of Indian Music An Attempt to Reconcile Modern Hindu
Introduction to the Study of Indian Music An Attempt to Reconcile Modern Hindu
E Ernest Clements
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Verse 26. — Sa is of 4 srutis, ri of 3, ga of 2, ma of 4.
Verse 27. — Pa of 4, dha of 3, ni of 2. This is the Shadj Grama.
Verse 28. — In the Madhyam Grama, ma is of 4, pa of 3, dha of 4.
Verse 29. — Ni of 2, sa of 4, ri of 3, ga of 2.
MURCHHANAS.
There are 14 Murchhanas in the two Gramas.
Verse 30. — The first is Uttarmandra, and starts from sa ; the second, Rajani from ni ; the third, Uttarayata from dha ; the fourth, Shuddhshadja from pa ; the fifth Matsarikriti from ma.
Verse 31. — The sixt
...h is Asvakranta from ga ; the seventh Abhirudgata from ri. Such are the Murchhanas of the Shadj Grama.
Verse 32. — In the Madhyam Grama the Murchhanas are : Sauviri, Harinasva, Kalopanata, Shuddhmadhya, Margi, Pauravi, Hrishyaka.
Verse 33. — Such are the Murchhanas of the Madhyam Grama. The starting notes are ma, ga, ri, sa, ni, dha, pa.
These Murchhanas are of four descriptions: (i) those which are Sampurna {i. E. Complete with seven notes) ; (2) (3) the Shadava and Odava {i. E.


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