Italy At Work; Her Renaissance in Design Today. [exhibition] Handbook

Cover Italy At Work; Her Renaissance in Design Today. [exhibition] Handbook
Italy At Work; Her Renaissance in Design Today. [exhibition] Handbook
Rogers, Meyric R. (Meyric Reynold), 1893-
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It will be noted that these newer designs include relatively few of those radical departures from convention into purely linear abstrac- tions which dominate contemporary textile design elsewhere. When the process allows freedom of motive the Italian designer still prefers natural forms even though conventionalized and treated with a cer- tain fantastic license. His reliance is basically upon color. In the fabrics produced on a larger commercial scale, the relatively simple geometry of the hand
... loom is observed in woven stuffs while great- er freedom naturally accompanies the printed process.
The printed materials distributed by Myricae in Rome, who spon- sors the work of many of the best designers, are notable not only for their inventiveness in pattern but also for the novelty, daring, and rich tonal balance of their color schemes. This is also true in the nar- rower range of the silks, linens and cottons decorated by the silk screen process by MITA of Ncrvi. The silks, cottons, and linens designed by Fede Cheti of Milan for both costumes and for draperies have already gained a European reputation.


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