Notation And Performance of Avant-Garde Literature for the Solo Flute /

Cover Notation And Performance of Avant-Garde Literature for the Solo Flute /
Notation And Performance of Avant-Garde Literature for the Solo Flute /
Willis, Morya E. (Morya Elaine)
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Fluttertonguing does not intensify the tone, it merely changes its sound.
There are two ways to f luttertongue . The first uses the Spanish r. It is best described as a rolling motion of the tip of the tongue against the hard pallate directly behind the front teeth (upper incisors). Some refer to it as the dental r. This f luttertongue is best in loud circumstances or with middle to upper register notes.
There are two parameters to this method of fluttertonguing.
By changing the breath pressure
... one can alter the speed of the flutter. Secondly, by positioning the tongue in different locations in the mouth, the intensity of the flutter can be changed independent of the breath pressure.
It is the more commonly used of the methods of fluttertonguing. The second method of fluttertonguing is the French r which uses the vibration of the uvula against the back of the throat, similar to gargling. There is not as much flexibility in this method and there arises at times a problem in initiating the flutter.


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