Practical Stage Directing for Amateurs a Handbook for Amateur Managers And Acto
Practical Stage Directing for Amateurs a Handbook for Amateur Managers And Acto
Emerson Gifford Taylor
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106 Amateur Stage Directing MOVEMENT A few hints as to the proper control and use of one's members on the stage, a word or two on how the voice may best be em- ployed, — externals, but things necessary to learn if one wishes to appear with a fair degree of ease and grace, — will not be amiss, in any chapter intended for begin- ners, though it is desired, above all, to impress on the amateur the great necessity of conscientious effort at impersonation. In another place will be found a dis- cussi...on of the broad principles which gov- ern general movement on the stage, in- tended for the stage manager who watches the rehearsal from "out in front. " We saw there all general movement on the stage is governed entirely by the ne- cessities of the action, and proceeds from one grouping arranged for one special mo- ment of time, to another, arranged for a Actor's A-B-C — Movement 107 succeeding moment. A similar principle, it is believed, should strictly govern the movement of each separate actor.
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