The Fundamentals of Gregorian Chant a Simple Exposition of the Solesmes Princi
The Fundamentals of Gregorian Chant a Simple Exposition of the Solesmes Princi
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Mi- nus pro- pter vir qui Tonus ?J5_J_^_ hnr tf-hi Di- xit Cre- di- Be- a- Con-fi- D6-mi-nus di pro-pter tus vir qui te-bor ti-bi Chapter VI. The Psalmody. The following Table shows the relationship of the Final of the Mode, on which usually ends the Antiphon, and the beginning of each Intonation. It will be observed that the voice must descend one Whole Step in the 2nd Tone; it must ascend a Minor Third in the ist and 3rd Tones ; ascend a Fourth in the 4th and 7th Tones; in the 5th, 6th, and 8...th Tones we find the Intonation Formula starting on the Final of the Mode. Tone F Intonation ft « ■ Tone I 5 Intonation Tone VI Tone VIII Tone IV g Tone ? [ III =-- ^ On the same note g Tone II Ascends a Third, p i >, m ■ ■ Tonus " Peregrin Descends a whole Tone Intonation 5" Ascends a Fifth Tone VII Ascends a Fourth 1^^ The Intonation of the Magnificat m Modes I, III, IV, VI ^ and VII are the ordinary Intonations, and like the other two ^ Gospel Canticles, Benedictus and Nunc dimittis, is sung at the beginning of each verse.
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To quickly assess the difficulty of the text, read a short excerpt:
Mi- nus pro- pter vir qui Tonus ?J5_J_^_ hnr tf-hi Di- xit Cre- di- Be- a- Con-fi- D6-mi-nus di pro-pter tus vir qui te-bor ti-bi Chapter VI. The Psalmody. The following Table shows the relationship of the Final of the Mode, on which usually ends the Antiphon, and the beginning of each Intonation. It will be observed that the voice must descend one Whole Step in the 2nd Tone; it must ascend a Minor Third in the ist and 3rd Tones ; ascend a Fourth in the 4th and 7th Tones; in the 5th, 6th, and 8...th Tones we find the Intonation Formula starting on the Final of the Mode. Tone F Intonation ft « ■ Tone I 5 Intonation Tone VI Tone VIII Tone IV g Tone ? [ III =-- ^ On the same note g Tone II Ascends a Third, p i >, m ■ ■ Tonus " Peregrin Descends a whole Tone Intonation 5" Ascends a Fifth Tone VII Ascends a Fourth 1^^ The Intonation of the Magnificat m Modes I, III, IV, VI ^ and VII are the ordinary Intonations, and like the other two ^ Gospel Canticles, Benedictus and Nunc dimittis, is sung at the beginning of each verse.
What to read after The Fundamentals of Gregorian Chant a Simple Exposition of the Solesmes Princi?
You can find similar books in the "Read Also" column, or choose other free books by Lura F Heckenlively to read onlineMoreLess
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