The Pianist And the Art of Music a Treatise On Piano Playing for Teachers And S

Cover The Pianist And the Art of Music a Treatise On Piano Playing for Teachers And S
The Pianist And the Art of Music a Treatise On Piano Playing for Teachers And S
Adolph Carpe
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It does not naturally follow that all short notes in slow movements require greater breadth, but the pathos of the slow move- ment can only be attained by greater quietness in the rhythmical flow. This pathetic stress does not at any time call for greater power of tone, is entirely independent as a means of expression from metrical or rhythmical accent, and may be employed wher- ever greater breadth or intensity of feeling seeks utterance. If this pathetic stress coincides with the rhythmic or ...metrical accent, the emphasis will be so much more powerful.
The pathetic stress does not affect the movement nor change rhythmical motion; it is only a slight sustaining of notes or rests, depending in musical rendition on the individual nature of the performer. When such pathetic stress is a distinct feature of musical character in the intentions of the composer, it is indicated in musical notation by a tenuto; if THE PIANIST'S ART. 61 part of a movement or the whole movement is to be rendered with greater pathos, it is marked sostenuto.


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