A Few Suggestions of Plain Letterings for Artists And Others

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VII. MODERN FACE. Messrs. Miller and Richard.
Characteristic of the early nineteenth century taste — when type lettering degenerated into extreme thick and thin lines — the period between "old face" (Ex. Ill) and the "revived old style" (Ex. IV).
VIII. ITALIAN OLD STYLE. Messrs. Stephenson, Blake & Co. An enlarged copy of the Kelmscott Press " Golden " fount by Sir Charles Reed and Sons, which firm is now incorporated with Messrs. Stephenson, Blake and Co.
IX. SANS SERIF. Messrs. Stephenson, Bl
...ake and Co.
These letters being without " serifs " appear somewhat unfinished, and, although much used, are only given here as showing the more elementary form of the letters.
X. CHELTENHAM. Messrs. Caslon and Co.
A new design based, as far as the capitals are concerned, somewhat on the Old French (Ex. I).
XI. ORIGINAL OLD FACE. Messrs. Caslon and Co.
This is a repetition of Ex. Ill, but in a somewhat smaller size and with the fine reman lower-case letters added to it.
XII. OLD ITALIC. Messrs.


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