A Great Russian Tone Poet Scriabin
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THE EIGHTH SONATA, OPUS 66 The Eighth Sonata was written at Moscow in the first half of 1913. It was published by P. Jurgenson in the same year. In extent and scope it is the longest of all the Sonatas thirty-one pages long and moreover it is written all in one movement.
In this Sonata, as in all the other works, Scriabin intended the music to speak for itself. Such directions as are given in the French indications are only for the assistance of the player and not for the listener.
The Sonata i...s founded on the following remark- able sequence of chords, which constitute its first motive.
Lento.
p\ " i 'i ' The " foundation chord " of the whole piece is the second one, marked (a), not the first one, as Gunst states.
THE TEN SONATAS 153 The Lento Prologue contains besides two other motives the following sinuous theme on the middle stave, and the figure of flight in the fourth bar of the upper stave.
The Prologue extends for twenty-one bars. We come then to the Sonata form proper (bar 22) : Allegro ag-l itato with the following pendant : A considerable amount of development follows before the second subject proper makes its appear- ance : Traglque.
What to read after A Great Russian Tone Poet Scriabin?
You can find similar books in the "Read Also" column, or choose other free books by A Eaglefield Arthur Eaglefield Hull to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
THE EIGHTH SONATA, OPUS 66 The Eighth Sonata was written at Moscow in the first half of 1913. It was published by P. Jurgenson in the same year. In extent and scope it is the longest of all the Sonatas thirty-one pages long and moreover it is written all in one movement.
In this Sonata, as in all the other works, Scriabin intended the music to speak for itself. Such directions as are given in the French indications are only for the assistance of the player and not for the listener.
The Sonata i...s founded on the following remark- able sequence of chords, which constitute its first motive.
Lento.
p\ " i 'i ' The " foundation chord " of the whole piece is the second one, marked (a), not the first one, as Gunst states.
THE TEN SONATAS 153 The Lento Prologue contains besides two other motives the following sinuous theme on the middle stave, and the figure of flight in the fourth bar of the upper stave.
The Prologue extends for twenty-one bars. We come then to the Sonata form proper (bar 22) : Allegro ag-l itato with the following pendant : A considerable amount of development follows before the second subject proper makes its appear- ance : Traglque.
What to read after A Great Russian Tone Poet Scriabin?
You can find similar books in the "Read Also" column, or choose other free books by A Eaglefield Arthur Eaglefield Hull to read onlineMoreLess
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