A Hand book of the History of the Spanish And French Schools of Painting
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To quickly assess the difficulty of the text, read a short excerpt:
" But, seeing that the figure did not salute him, the king discovered his mistake, and, turning to Velazquez, said, " I assure you I was deceived. " This was probably nothing more than a compliment to the artist.
In 1642 and 1644 Velazquez accompanied Philip on his journeys into Aragou. In 1643 the original patron of the painter, the Count-Duke of Olivares, was disgraced and banished to Toro, which he never left until his remains were transferred to Loeches the convent deco- rated at his expens...e by the pencil of Rubens #. Velaz- quez continued to show respect to the fallen favourite ; but his own position with the king does not appear to have changed : Philip did not resent his fidelity to his patron.
In November, 1648, the king sent him to Italy with a commission to purchase pictures and statues, as well as to obtain casts of the finest antique works. He em- barked at Malaga, and proceeded by Genoa, Milan, and Padua to Venice, where he bought some pictures of Tintoret and of Paul Veronese for his royal master f.
What to read after A Hand book of the History of the Spanish And French Schools of Painting?
You can find similar books in the "Read Also" column, or choose other free books by Edmund Head to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
" But, seeing that the figure did not salute him, the king discovered his mistake, and, turning to Velazquez, said, " I assure you I was deceived. " This was probably nothing more than a compliment to the artist.
In 1642 and 1644 Velazquez accompanied Philip on his journeys into Aragou. In 1643 the original patron of the painter, the Count-Duke of Olivares, was disgraced and banished to Toro, which he never left until his remains were transferred to Loeches the convent deco- rated at his expens...e by the pencil of Rubens #. Velaz- quez continued to show respect to the fallen favourite ; but his own position with the king does not appear to have changed : Philip did not resent his fidelity to his patron.
In November, 1648, the king sent him to Italy with a commission to purchase pictures and statues, as well as to obtain casts of the finest antique works. He em- barked at Malaga, and proceeded by Genoa, Milan, and Padua to Venice, where he bought some pictures of Tintoret and of Paul Veronese for his royal master f.
What to read after A Hand book of the History of the Spanish And French Schools of Painting?
You can find similar books in the "Read Also" column, or choose other free books by Edmund Head to read onlineMoreLess
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