A Manual of Harmony
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In our eReader you can find the full English version of the book. Read A Manual of Harmony Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A Manual of Harmony
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To quickly assess the difficulty of the text, read a short excerpt:
At a very low pitch an energetic forte or fortissimo cannot be brought out. When the parts are to enter on the highest tones of their compass, it should be required only in forte or fortissimo; if on the lowest tones, only in piano ol pianissimo.
2. The several voice-parts of the chorus must not be spread too far apart.
When the voice-parts lie far apart, they are unable to produce one and the same nuance (shade of expression) together. The fol- lowing chord can be sung forte or fortissimo by t...he three highest parts at the pitch here given ; but the bass will sound weak in com- parison : I The effect is still worse when there is a wide interval between the inner parts : IE 9- When the intervals between the chorus-parts are wide, the voices cannot support each other, and confidence and purity of intonation must suffer in consequence.
A MANUAL OF HARMONY.
199 The lowest part, whether it be the bass or some part taking its place — in female chorus the alto, and in three-part composition, at times, the tenor — must always receive particular attention.
What to read after A Manual of Harmony?
You can find similar books in the "Read Also" column, or choose other free books by Baker, Theodore, 1851-1934 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
At a very low pitch an energetic forte or fortissimo cannot be brought out. When the parts are to enter on the highest tones of their compass, it should be required only in forte or fortissimo; if on the lowest tones, only in piano ol pianissimo.
2. The several voice-parts of the chorus must not be spread too far apart.
When the voice-parts lie far apart, they are unable to produce one and the same nuance (shade of expression) together. The fol- lowing chord can be sung forte or fortissimo by t...he three highest parts at the pitch here given ; but the bass will sound weak in com- parison : I The effect is still worse when there is a wide interval between the inner parts : IE 9- When the intervals between the chorus-parts are wide, the voices cannot support each other, and confidence and purity of intonation must suffer in consequence.
A MANUAL OF HARMONY.
199 The lowest part, whether it be the bass or some part taking its place — in female chorus the alto, and in three-part composition, at times, the tenor — must always receive particular attention.
What to read after A Manual of Harmony?
You can find similar books in the "Read Also" column, or choose other free books by Baker, Theodore, 1851-1934 to read onlineMoreLess
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