A Manual of Harmony for Schools
A Manual of Harmony for Schools
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In our eReader you can find the full English version of the book. Read A Manual of Harmony for Schools Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A Manual of Harmony for Schools
What reading level is A Manual of Harmony for Schools book?
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: _| ■-=] a b C d -s- =8-— B ^ — O ^ • 9 8 7 — 7 6 5 — The progressions of the Parts in examples c and d should be thoughtfully observed. If the Root of the Tonic Triad had been doubled, Consecutive Fifths would have made their appearance, thus : — The intervention of the Dominant Root in example / hides the ill effect to the eye, but the cultivated ear is still offended. It is, consequently, the invariable rule that, when the Leading Seventh is written in the position seen above, the Tonic Tri...ad must be written with a doubled Third.
THE DOMINANT MAJOR NINTH, ETC.
83 This is, however, not the only possible position. Here are others : — fe h^ — G — e»- m \ — r ^=8^ ^^ ^ - Q CJ CL o :: Nevertheless, the position shown at c and d is generally the best ; further, the Ninth above the Root should not be placed below the. Leading Note, e, g. : — "# ■ r:> — g — « — 0— — ^ Not Good The Chord of the Dominant Ninth cannot be inverted with good effect ; but two Inversions of the Leading Seventh are available, and their employment is more common even than that of the Leading Seventh itself, e.
What to read after A Manual of Harmony for Schools?
You can find similar books in the "Read Also" column, or choose other free books by Francis Edward Gladstone to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
: _| ■-=] a b C d -s- =8-— B ^ — O ^ • 9 8 7 — 7 6 5 — The progressions of the Parts in examples c and d should be thoughtfully observed. If the Root of the Tonic Triad had been doubled, Consecutive Fifths would have made their appearance, thus : — The intervention of the Dominant Root in example / hides the ill effect to the eye, but the cultivated ear is still offended. It is, consequently, the invariable rule that, when the Leading Seventh is written in the position seen above, the Tonic Tri...ad must be written with a doubled Third.
THE DOMINANT MAJOR NINTH, ETC.
83 This is, however, not the only possible position. Here are others : — fe h^ — G — e»- m \ — r ^=8^ ^^ ^ - Q CJ CL o :: Nevertheless, the position shown at c and d is generally the best ; further, the Ninth above the Root should not be placed below the. Leading Note, e, g. : — "# ■ r:> — g — « — 0— — ^ Not Good The Chord of the Dominant Ninth cannot be inverted with good effect ; but two Inversions of the Leading Seventh are available, and their employment is more common even than that of the Leading Seventh itself, e.
What to read after A Manual of Harmony for Schools?
You can find similar books in the "Read Also" column, or choose other free books by Francis Edward Gladstone to read onlineMoreLess
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