A Manual of Simple, Double, Triple And Quadruple Counterpoint

Cover A Manual of Simple, Double, Triple And Quadruple Counterpoint
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c. f.
i ^ £-sLJ=:^ 1 — Yj-r rf ~^Tg ^'-H-^^j- -^ % ^^ J . I -t-r 9: ^ -^ : — ^ U — ^ ^ Iff ^1 g, j_« 1 S> or: Cp.
94.
c.f.
#^ •^1^ ^ l^ ^ 4^JT^ J §^ i ^ :2^ -jy- § 12. Here follow some examples of a counterpoint in the soprano to a cantns firmus in alto and tenor.
Cantus firmus in Alto.
Cp.
C.f.
95.
^^^^^^M a^ 3£: ; j-j J . J- \7^M J iJ '^ ^s * § 12. IWO NOTES IN THE UPPER PARTS.
Cantus firmus in Tenor.
29 Cp.
96.
c. f.
i fcS JZJ l l J J,"' J ::J=;i^ zz a.
^$ i a m ^ s i I g- zziz The student'
...may now place a counterpoint of two notes in the soprano against the cantus firmus alternately in the bass, alto and tenor of the following examples. If necessary, the cantus firmus of some preceding exercises may be treated over again for counterpoint in soprano.
\ Exercises, 97. i^E :3r.
-«^:=s 3= \98. iM$E g I "g |^; ^| g I '^ \99. ^ 100. -^YtlF ^ zsz 101. ^MM= 102, PJ^i^ Ie 32= 1221 rai iS==2z: 103. ^^ ^ 30 CHAPTEB III 13.
104.- P|3$= m 105.
106.
w CantDS firinus in Alfb.
^^^^^^^^^^^ ^ 107.


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