A Practical Manual of Typography And Reference book for Printers
A Practical Manual of Typography And Reference book for Printers
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In our eReader you can find the full English version of the book. Read A Practical Manual of Typography And Reference book for Printers Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book A Practical Manual of Typography And Reference book for Printers
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Blue and Red, , Purple. Yellow. Red and Yellow, , Orange. Blue. Another series of colours may be formed by mixing any two of the secondary colours ; the colours thus produced harmonising with that secondary colour which has not entered into the composition of the colour produced. The colours citrine, russet, and olive are produced in this manner, and are known as tertiary colours. Secondary Colours. Tertiary Colours, Harmonising Colours. Green and Orange produce Citrine. Purple. Orange and Purp...le, , Russet. Green. Purple and Green, , Olive. Orange. Thus from the three primary colours we obtain six others by combinations, making nine well-defined colours in all. Besides these different colours, however, there are different tonus of colour (degrees of intensity) ; tints (mixtures with white) ; hues (mixtures with other colours) ; and shades (mixtures with black). A colour and its harmonising (or complementary) colour are the two that give the greatest contrast to one another. Thus, as stated before, red and green harmonise with each other ; but if red were printed on green, or green on red, the result would be disastrous as far as harmony is concerned, for the colour then produced would approximate to black.
What to read after A Practical Manual of Typography And Reference book for Printers?
You can find similar books in the "Read Also" column, or choose other free books by Arthur Oldfield to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Blue and Red, , Purple. Yellow. Red and Yellow, , Orange. Blue. Another series of colours may be formed by mixing any two of the secondary colours ; the colours thus produced harmonising with that secondary colour which has not entered into the composition of the colour produced. The colours citrine, russet, and olive are produced in this manner, and are known as tertiary colours. Secondary Colours. Tertiary Colours, Harmonising Colours. Green and Orange produce Citrine. Purple. Orange and Purp...le, , Russet. Green. Purple and Green, , Olive. Orange. Thus from the three primary colours we obtain six others by combinations, making nine well-defined colours in all. Besides these different colours, however, there are different tonus of colour (degrees of intensity) ; tints (mixtures with white) ; hues (mixtures with other colours) ; and shades (mixtures with black). A colour and its harmonising (or complementary) colour are the two that give the greatest contrast to one another. Thus, as stated before, red and green harmonise with each other ; but if red were printed on green, or green on red, the result would be disastrous as far as harmony is concerned, for the colour then produced would approximate to black.
What to read after A Practical Manual of Typography And Reference book for Printers?
You can find similar books in the "Read Also" column, or choose other free books by Arthur Oldfield to read onlineMoreLess
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