A Study of Shakespeares Portraits

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The thick under lip is marked ; the relative force of the undulations, and the different markings at the corners of the mouth have been noted. All these markings the portrait-painter knows go to make up the likeness ; and the more of them he can express the more the portrait will be felt to be characteristic, if, at the same time, the great outlines are generally preserved. The temples are very peculiar in the Droeshout. The dome of the head is overdone, though not in mere height, and out of dr...awing, but the artist was looking at the dome of the same head as that which the bust-maker had in view. When the Droeshout is turned upside 28 down the oval character of the face is seen to be clearly maintained, notwithstanding the faults in the management of the too balloon- shaped forehead. In the Stratford bust the full-face view shows so much bulging in the lower part of the cheeKj that the oval is almost turned the other way, and the forehead seems the smaller point of the egg-shaped face.

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