Adventures in the Arts;

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He toowas in search of a passionate realization of the object. His method ofheavy stitching in bright hues was not a perfected style. It was anextravagant hope toward a personal rhythm. He was an "upwardly"aspiring artist by reason of his hyper-accentuated religious fervours. All these extraneous and one might even say irrelevant attempts towardspeedy arrivism are set aside in the presence of the almost solemnseverity of minds like Pissarro and Sisley, and of C

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