Among My Autographs

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The Messrs. Gatti proposed to me that I should enter into partnership with Robert Buchanan to supply a series of plays for the Adelphi Theatre. Buchanan had always been a prolific playwright, and his plays were generally big successes or big failures. Years afterwards, when I worked with him almost day by day, and came to know his methods, I ceased to wonder at the inequality of his workmanship. I doubt if any dramatist of culture ever wrote with such rapidity. He wrote straight away, page afte...r page being filled with his neat handwriting, while he smoked the eternal cigarette. There was no looking up at the ceiling, no pausing for the right word. It was this ROBERT BUCHANAN 53 " writing the scene straight off" that made some of his best work ineffective from the dramatic point of view when it came to a popular playhouse. He despised the exit line, and continued a scene beyond the point at which it attained speaking theatrically its climax.
I remember an instance which illustrates this defect.


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