An Enquiry Concerning the Principles of Taste, And of the Origin of Our Ideas of Beauty, Etc.

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The principles, which constitute grace, genius, or taste, are one;which is denominated grace in the object, genius in the production ofthe object, and taste in the perception of it.
The existence of grace _seems_ to depend more upon the character ofmental than of corporeal beauty. All its motions seem to indicate and, to be regulated by the utmost delicacy of sentiment! I have placed itbetween the highest sentiment of the human mind, _sublmity_, thatno rules can teach, and the highest sentiment
... that rules can teach, _exact beauty_, the two extremes of the vrai reel and the vrai ideal. Grace seems, as it were, to hang between the influence of both; theirregular sublime giving character and relief to the negative anddetermined qualities of beauty; and beauty, i. E. Truth, confiningwithin due bounds the eccentric qualities of sublimity, forming, bothto sight and in idea, orderly variety, _the waving line_, neitherstraight nor crooked. The waving line is the symbol, or memento, asI may say, of grace, wherever it is seen in whatever form, animate orinanimate; and may be justly styled the line of taste or grace!

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