Analysis And Interpretation of Eighteen Violin Compositions
Analysis And Interpretation of Eighteen Violin Compositions
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In our eReader you can find the full English version of the book. Read Analysis And Interpretation of Eighteen Violin Compositions Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Analysis And Interpretation of Eighteen Violin Compositions
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The phrase therefore closes softly, the next opens clearly with new dynamic force. See illustration. You must use musical judgment. Not all accented notes have the same amount of accent. These little phrases with their little climaxes are only a part of a great central climax, like the foothills are a part of the great high peak of a mountain range. An ascending phrase should crescendo an, d accelerando fas a rule) ; a descending phrase may come down more leis- urely, diminishing all the w^ay d...own. Grandiose passages generally proceed slowly to give them dignity, regardless of what comes before or after. One finds so many exceptions to every rule in music. Every rule can be proved and disproved, yet the foregoing are principals which can be used to advan- tage if applied intelligently. If a phrase consists of a short note, then a long one, the longer is, of course, more important, prominent, and has the accent, even if it appears at the end of the phrase which is usually shortened and softened.
What to read after Analysis And Interpretation of Eighteen Violin Compositions?
You can find similar books in the "Read Also" column, or choose other free books by Edward Olney to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The phrase therefore closes softly, the next opens clearly with new dynamic force. See illustration. You must use musical judgment. Not all accented notes have the same amount of accent. These little phrases with their little climaxes are only a part of a great central climax, like the foothills are a part of the great high peak of a mountain range. An ascending phrase should crescendo an, d accelerando fas a rule) ; a descending phrase may come down more leis- urely, diminishing all the w^ay d...own. Grandiose passages generally proceed slowly to give them dignity, regardless of what comes before or after. One finds so many exceptions to every rule in music. Every rule can be proved and disproved, yet the foregoing are principals which can be used to advan- tage if applied intelligently. If a phrase consists of a short note, then a long one, the longer is, of course, more important, prominent, and has the accent, even if it appears at the end of the phrase which is usually shortened and softened.
What to read after Analysis And Interpretation of Eighteen Violin Compositions?
You can find similar books in the "Read Also" column, or choose other free books by Edward Olney to read onlineMoreLess
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