Anecdotes of Music, Historical And Biographical;

Cover Anecdotes of Music, Historical And Biographical;
Anecdotes of Music, Historical And Biographical;
Burgh, A[llatson], B. 1769 Or 70. [from Old Catalog]
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Though die French have long wished to have a characteristic dramatic music of their own, their most patriotic writers on the subject have been obli- ged to confess, that they are indebted to the Italians far the establishment of operas in France. Even die cQBtmuator of M. Bonnet's Hist, de la Musique, M* Freneuse, a furious champion in defence of Lulli, and French music of every description, allows that Rinnccini, who followed Mary of Medicis into Fsance, had famished the first idea of dramatic
... mu~ VOL. II. O y Google 89Q state of music in f ban ok, - ak to the Parisian* ; and that Cajdiaal Maagiwc^ during the ininoqty.of; Low? the, Foujtaeafh, had two operas, in Italian verse and to. Italian mode, * performed by a cowpaoy of Italian wgnrs,, for the avowed purpose, of impressing the court of France wjrth % favourable idea of the fashioaabje music of bis country.
Xta ficst of these, performed at Ue. Bourbon fia- lace in 1645, wras a biirtetta : ifts title, Lafest&Ua- trale della Finte pasta, written by Giulio Stnana, but by whom set, does t not appear* The secoed >\as Or/io, e Euridice, in 1647 .


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