Art in Spain And Portugal

Cover Art in Spain And Portugal
Art in Spain And Portugal
Marcel Auguste Dieulafoy
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It is reduced to a nave of 15 metres by 22h, metres, divided into five bays by pointed arches springing almost from the ground, and supported by but- tresses with chapels set between them. On the exterior is one of those longitudinal porches peculiar to Spain {sup. P.
106). The distinguishing fea- ture of San Feliu is the alfarge, or timber roof composed of rafters resting upon the extrados of the arches. The Romanesque Church of Mig Aran, in Upper Catalonia, Santa Maria de la Huerta, the Palat
...ine Chapel of Santa Agueda (thirteenth century, now the Provincial Museum) at Barcelona, the Mourguier at Narbonne, are examples of this arrangement already noted at Santas Creus {sup. Pp. 130, 131), an arrangement which made a prior appearance near Damascus, in the basilica of Tafka, and in the valley of the Orontes, at the basilica of Rueiha. These roofs may have been introduced into Europe by the Musul- man architects. Their name as well as their form supports this hypothesis. The Cathedral of Palma (Majorca), begun in 1229, has another peculiarity.

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