Bowmans Weitzmans Manual of Musical Theory a Concise Comprehensive And Pract
Bowmans Weitzmans Manual of Musical Theory a Concise Comprehensive And Pract
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In our eReader you can find the full English version of the book. Read Bowmans Weitzmans Manual of Musical Theory a Concise Comprehensive And Pract Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Bowmans Weitzmans Manual of Musical Theory a Concise Comprehensive And Pract
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To quickly assess the difficulty of the text, read a short excerpt:
B. 2, the octave (E) is followed by a sub- sequent . -eventh (D), which resolves itself a degree lower to C. In the figur- ing of the same example (h) we make use of a dash ( — ). It signifies sim- ply the repetition or continuance of the corresponding preceding sign; in this case the sharp ^). The G^ in the same example is the leading-tune in the key of A minor, and, as such, should progress to the Tonic (A). The charac- ter of this tone, however, when occurring in a middle voice, as here, is ...not so distinctly felt; therefore, ' in order to make the following accord more complete, it is allowed to progress downward to the fifth of that accord. At X. 1>. 3, Ex. 254, a suhiiejuent seventh (Bjz) follows the octave oi iha fundamental 100 MANUAL OF MUSICAL THEORY.
(C) i-esolving to the A, one degree lower. The E, in the chord at N. B. 3, is the leading-tone in that key, and, occurring in an outer voice, where its charac- ter is very perceptible, it must progress regularly to the Tonic (F).
What to read after Bowmans Weitzmans Manual of Musical Theory a Concise Comprehensive And Pract?
You can find similar books in the "Read Also" column, or choose other free books by Karl Friedrich Weitzmann to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
B. 2, the octave (E) is followed by a sub- sequent . -eventh (D), which resolves itself a degree lower to C. In the figur- ing of the same example (h) we make use of a dash ( — ). It signifies sim- ply the repetition or continuance of the corresponding preceding sign; in this case the sharp ^). The G^ in the same example is the leading-tune in the key of A minor, and, as such, should progress to the Tonic (A). The charac- ter of this tone, however, when occurring in a middle voice, as here, is ...not so distinctly felt; therefore, ' in order to make the following accord more complete, it is allowed to progress downward to the fifth of that accord. At X. 1>. 3, Ex. 254, a suhiiejuent seventh (Bjz) follows the octave oi iha fundamental 100 MANUAL OF MUSICAL THEORY.
(C) i-esolving to the A, one degree lower. The E, in the chord at N. B. 3, is the leading-tone in that key, and, occurring in an outer voice, where its charac- ter is very perceptible, it must progress regularly to the Tonic (F).
What to read after Bowmans Weitzmans Manual of Musical Theory a Concise Comprehensive And Pract?
You can find similar books in the "Read Also" column, or choose other free books by Karl Friedrich Weitzmann to read onlineMoreLess
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