Ceremonial of Hasjelti Dialjis And Mythical Sand Painting of the Navajo Indians
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In our eReader you can find the full English version of the book. Read Ceremonial of Hasjelti Dialjis And Mythical Sand Painting of the Navajo Indians Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Ceremonial of Hasjelti Dialjis And Mythical Sand Painting of the Navajo Indians
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To quickly assess the difficulty of the text, read a short excerpt:
265 The painting was obliterated in the usual manner and the sand carried out and deposited at the base of a pinon tree some 200 yards from the lodge.
EIGHTH DAY.
The grinding of the paint began at daylight, and just at sunrise the artists commenced their work. When any mistake occurred, which was very seldom, it was obliterated by sifting the ground color over it.
Each artist endeavored to finish his special design first, and there was • considerable betting as to who would succeed. The rapidi...ty with which these paints are handled is quite remarkable, particularly as most of the lines are drawn entirely by the eye. After the completion of the painting, each figure being three and a half feet long, corn pollen was sprinkled over the whole by the song priest. (See illustration, PI.
CXXIII.) The corn stalk in the picture signifies the main subsistence of life; the square bas^ and triangle are clouds, and the three white lines at the base of the corn stalk denote the roots of the corn.
What to read after Ceremonial of Hasjelti Dialjis And Mythical Sand Painting of the Navajo Indians?
You can find similar books in the "Read Also" column, or choose other free books by Museum of the American Indian, Heye Foundation. Fmo to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
265 The painting was obliterated in the usual manner and the sand carried out and deposited at the base of a pinon tree some 200 yards from the lodge.
EIGHTH DAY.
The grinding of the paint began at daylight, and just at sunrise the artists commenced their work. When any mistake occurred, which was very seldom, it was obliterated by sifting the ground color over it.
Each artist endeavored to finish his special design first, and there was • considerable betting as to who would succeed. The rapidi...ty with which these paints are handled is quite remarkable, particularly as most of the lines are drawn entirely by the eye. After the completion of the painting, each figure being three and a half feet long, corn pollen was sprinkled over the whole by the song priest. (See illustration, PI.
CXXIII.) The corn stalk in the picture signifies the main subsistence of life; the square bas^ and triangle are clouds, and the three white lines at the base of the corn stalk denote the roots of the corn.
What to read after Ceremonial of Hasjelti Dialjis And Mythical Sand Painting of the Navajo Indians?
You can find similar books in the "Read Also" column, or choose other free books by Museum of the American Indian, Heye Foundation. Fmo to read onlineMoreLess
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