Charles Brockden Brown; a Study of Early American Fiction

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In dealing with these two characters in particular, and in an especial de- gree with the former, Brown makes it his business to be 1. Pancoast Intro, to Am. Lit., p. io8.
2. Vol. I, p. 472.
49 careful in his developments of moods, to cause the changes of mind to come by gradations that we may- see the effect psychologically and from it draw the les- son. Sometimes he seeks to make the demonstration from other than' the principal characters, as when with much circumlocution, he endeavored tO' dr
...aw the irrele- vant and useless moral at the end of "Wieland." To point out the moral at the end of any tale is like telling a joke and then naming it, but in this we see some of the effects of his time which seemed to consider that we need not be expected to retain our common sense in reading or writing a novel or romance.
But in the first four of the works pf fiction' of Brown, and in "Wieland" in particular, there is an en- tirely evident attempt not merely to follow the manner of plot of Godwin, but to adopt his literary style.


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