Choir Training Based On Voice Production
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In our eReader you can find the full English version of the book. Read Choir Training Based On Voice Production Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Choir Training Based On Voice Production
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To quickly assess the difficulty of the text, read a short excerpt:
(soft). W.
S. z. (4) Aspirate.
Sh. sh. (soft). H.
67. Our concern is at present chiefly with vowels, as these are the musical sounds. The consonants are necessary to convey thought, but all real vocal tone lies in the vowel sounds. Our preliminary training should, therefore, be confined to vowels, the consonants being added when the tone has been formed. This will be obvious when it is remembered that a certain definite arrangement of the parts of the mouth is required for every particular vowe...l at any given pitch, and directly a consonant is introduced this arrangement is upset. When, however, by constant training the singer has become accustomed to producing pure correct tone, the upsetting effect of the consonant will not so much matter, as the force of habit will insure a return to the correct position as soon as the consonant has been sounded.
68. Here we must revert to the question of Resonance, and consider it in connection with Pitch and Vowel quality. In listening to a correctly produced voice, it will be noticed that the quality is not the .same throughout its entire compass.
What to read after Choir Training Based On Voice Production?
You can find similar books in the "Read Also" column, or choose other free books by A Madeley Alfred Madeley Richardson to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
(soft). W.
S. z. (4) Aspirate.
Sh. sh. (soft). H.
67. Our concern is at present chiefly with vowels, as these are the musical sounds. The consonants are necessary to convey thought, but all real vocal tone lies in the vowel sounds. Our preliminary training should, therefore, be confined to vowels, the consonants being added when the tone has been formed. This will be obvious when it is remembered that a certain definite arrangement of the parts of the mouth is required for every particular vowe...l at any given pitch, and directly a consonant is introduced this arrangement is upset. When, however, by constant training the singer has become accustomed to producing pure correct tone, the upsetting effect of the consonant will not so much matter, as the force of habit will insure a return to the correct position as soon as the consonant has been sounded.
68. Here we must revert to the question of Resonance, and consider it in connection with Pitch and Vowel quality. In listening to a correctly produced voice, it will be noticed that the quality is not the .same throughout its entire compass.
What to read after Choir Training Based On Voice Production?
You can find similar books in the "Read Also" column, or choose other free books by A Madeley Alfred Madeley Richardson to read onlineMoreLess
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