Church Music volume 19

Cover Church Music volume 19
Church Music volume 19
Arthur Stuart Duncan Jones
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Mr. Fuller-Maitland has pointed out how the Anglican revival produced " men who perpe- trated weak imitations of Spohr or Gounod with the utmost complacency and pecuniary success/ ' and anxiously fears that soon the popular anthem will be a colourable imitation of Debussy or Richard Strauss.
Are we to do these things ? Should we not rather found the whole structure on the broad basis of the universal music of the Church ? When that has been understood and loved, we can admit many other types by
... its side. Some, doubtless, of the things we love now will fade away under that clear light ; but the good will remain.
And, as a matter of fact, the Church ever since the invention of music in parts has allowed its use, though grudgingly at first.
Descant, faux-bourdons, polyphony, all quickly became an accepted part of the Church's resources. Even the Motu Proprio of Pius X, which takes a strict line, and prescribes the Gregorian chant as the only thing for certain parts of the Liturgy, yet contemplates the use of other music as well.


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