Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces, Collaborations With Artists, And Interviews

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One afternoon, I stopped by the office of a friend to say hello and was introduced to a Czech woman in her late forties or early fifties—an art historian who happened to be a friend of my friend. She was an attractive and vivacious person, I remember, but since she was on the point of leaving when I walked in, I spent no more than five or ten minutes in her company. As usually happens in such situations, we talked about nothing of any importance: a town we both knew in America, the subject of a ...book she was reading, the weather. Then we shook hands, she walked out the door, and I have never seen her again.After she was gone, the friend I had come to visit leaned back in her chair and said, “Do you want to hear a good story?”“Of course,” I said, “I’m always interested in good stories.”“I like my friend very much,” she continued, “so don’t get the wrong idea. I’m not trying to spread gossip about her. It’s just that I feel you have a right to know this.”“Are you sure?”“Yes, I’m sure.

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