Colour Schemes for the Flower Garden

Cover Colour Schemes for the Flower Garden
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A good quiet green can be made with black, chrome No. I and white lead, enough white being mixed to give the depth or lightness desired. A pretty colour of paint is much used in France that approximates to the colourman's malachite green. This is not the bright colour of malachite as we know the polished stone, but a pale, opaque bluish green approaching the tur- quoise tints. In the bright, clear climate of France, and in connection with the higher type of French architecture, also in more sou
...thern countries, the colour looks very well, though it is not becoming to some fohage ; but something quieter and more sober is better suited for England.
Elsewhere I have written of the deplorable effect in the garden landscape of the glaring white paint^till worse when tinted blue — that emphasises the ugliness of the usual greenhouse or conservatory. This may LI LI I'M AURATfiL A TCB HYDRAXGI^A.
STEPS AND HYDRANGEAS.
GROUPINGS OF PLANTS IN POTS 129 be mitigated, if the unsightly structure cannot be concealed, by adding to the white a good deal of black and raw umber, till the paint is of the quiet warm grey that for some strange reason is known to house-painters as Portland-stone colour.


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