Composition; a Series of Exercises Selected From a New System of Art Education

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Let him see how many shelf arrangements he can originate.
This, and all these exercises, may be summed up in two words : APPRECIATE ORIGINATE Tl . J N?ZO ( trdced from a it A * — • ^ 4 r — .\ ^ ^ ,v ••« li-l u u D u I 32 -3 -ftrac«toto xjh y^'''^t49}.1, Ssdt of a Ja.pui«se room - (tfMced. *fcm *o aj^cient book > 1 I « Nns ™____ L___ - J Page 23 LINE COMPOSITION IV. — LANDSCAPE 1 ^HE modern arbitrary division of Painting into Representative and Decorative has tended to put into the backgrou
...nd that which we here call Composition,andtobringforward nature- imitating as a substitute. The picture- painter is led to think of likeness to nature as the most desirable quality for his work, and the designer talks of "convention- alising"; bothjudgingtheir artby a stand- ard of Realism rather than of Beauty.
In the world's art epochs there was no such division.


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