Contemporary Thought in France a Seen in Her Literature From 1900 to 1914
Contemporary Thought in France a Seen in Her Literature From 1900 to 1914
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In our eReader you can find the full English version of the book. Read Contemporary Thought in France a Seen in Her Literature From 1900 to 1914 Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Contemporary Thought in France a Seen in Her Literature From 1900 to 1914
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To quickly assess the difficulty of the text, read a short excerpt:
And now a word as to the new form : free verse and rhythmic prose. The doctrine, chacnn doit trouver en lui- 22 meme sa forme rhythmique, can be carried too far, and very minor poets take advantage of this liberty to convey their thought without regard to workmanship or inspiration; the climax is reached when we are given slipshod verse on themes such as " Chants de Five o'clock Tea " !
There is, as a matter of fact, no freedom in art ; beauty has its laws just as life has its laws, and a numbe...r of poets turned away from free verse, fearing its dangers and monotony, and preferred a kind of neo-classicalism. Great writers, such as Claudel and Verhaeren, however, have known how to com- bine the rhythmic and metrical elements in verse and give us something complete, and their own. Curiously enough, two of the most enthusiastic exponents of free verse, Viele-Griffin and Stuart Merrill, are French poets of American origin. * They were undoubtedly influenced by Walt Whitman, whom they greatly admired, and who has been admirably translated into French.
What to read after Contemporary Thought in France a Seen in Her Literature From 1900 to 1914?
You can find similar books in the "Read Also" column, or choose other free books by Lady Lilly Frazer to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
And now a word as to the new form : free verse and rhythmic prose. The doctrine, chacnn doit trouver en lui- 22 meme sa forme rhythmique, can be carried too far, and very minor poets take advantage of this liberty to convey their thought without regard to workmanship or inspiration; the climax is reached when we are given slipshod verse on themes such as " Chants de Five o'clock Tea " !
There is, as a matter of fact, no freedom in art ; beauty has its laws just as life has its laws, and a numbe...r of poets turned away from free verse, fearing its dangers and monotony, and preferred a kind of neo-classicalism. Great writers, such as Claudel and Verhaeren, however, have known how to com- bine the rhythmic and metrical elements in verse and give us something complete, and their own. Curiously enough, two of the most enthusiastic exponents of free verse, Viele-Griffin and Stuart Merrill, are French poets of American origin. * They were undoubtedly influenced by Walt Whitman, whom they greatly admired, and who has been admirably translated into French.
What to read after Contemporary Thought in France a Seen in Her Literature From 1900 to 1914?
You can find similar books in the "Read Also" column, or choose other free books by Lady Lilly Frazer to read onlineMoreLess
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