Counterpoint

Cover Counterpoint
Counterpoint
J Frederick Bridge
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Advantage has been taken of par. 94, the syncopation entering on the second half of measure 2. In measure 3 the dissonance of the second is accompanied by a fifth, in measure 6 the same dissonance is accompanied by a fourth.
FOURTH Sl'ECIES IN THREE PARTS. 55 Ex. 91 . In measure 3 the sixth may be looked upon as a sus- pension of the fifth. In measure ii the fifth is a retardation ot the sixth.
Ex. 92. The third and fourth species are combined here. In measures 10 and 13 the fifth is taken by s
...kip, against the seventh suspending the sixth. As will be seen in four-part counterpoint, the fifth often appears as an accompaniment to a suspended seventh.
Ex. 93. A specimen in triple time. In measures 3 and 8 the suspensions are resolved ornamentally (see par. 60).
Ex. 94. In measures 3 and 5 occur the somewhat unusual sus- pensions of a ninth and fourth on a chord of tlie sixth, alluded to '. N par. 91. In measures 7 and S a '•'pedal" is used.
CHAPTER X.
FIFTH SPECIES IX THREE PAKTS : FLORID.


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