Course of Harmony

Cover Course of Harmony
Course of Harmony
Lucien H. Southard
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243, h and c.) XXAMPLB248.
a ^si^^^pg ^ia^^^t^ - ^^ t T gpjsp 112 2 2 I For an explanation of the chords in h and c above, see ^ 96, Examples 108 and 199. (Compare $ 95, Obs.,) and ^ 111, N, Obserrations 1 and 2.
0. The fourth with the octave takes the fifth, accolrding to M, above ; the fourth with the ninth takes the fifth, and is in this form a derivative of one of the chords of the eleventh. (§ 106, § 108, Obs. 2; and § 109, Obs. 8.) P. The fifth and third, fifth and fourth, fiah and sevent
...h, and fifth and octave, have already been treated of; (see above, F, 0« ^ 111, or Obs. 1, and 111, A;) the fifth with the mxth takes also the third, (§ 66 ;) the fifth with the second takes one of those inter* vals doubled. (See § 108, Obs. 1.) EXAMPLE 246.
a ^m ^1=S1 -(&- ^ -f^- -^ COUBaS OV HAAMONT.
105 R. The imperfect fifth with ihe ootave or sevehthi takes the minor third.
BXAMPI.B246.
a ^ \ i^ff ^ :\'sz jgd ^^^ i^ S. The sixth and third, sixth and fourth, and sixth and fifth, have been treated of.


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