Cremona Violins Four Letters Descriptive of Those Exhibited in 1873 At the Sout

Cover Cremona Violins Four Letters Descriptive of Those Exhibited in 1873 At the Sout
Cremona Violins Four Letters Descriptive of Those Exhibited in 1873 At the Sout
Reade Charles
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These ruthless men just sawed a crescent oft" the top, and another off" the bottom, and the result is a thing with the inner bought of a giant CREMONA FIDDLES and the upper and lower bought of a dwarf. If one of these noble instruments survives in England uncut, I implore the owner to spare it ; to play on a ^5 tenor, with the Amad set before him to look at while he plays. Luckily the scrolls remain to us; and let me draw attention to the scroll of 136. Look at the back of this scroll, and see ...how it is chiselled — the centre line in relief, how sharp, distinct, and fine ; this line is obtained by chiselling out the wood on both sides with a single tool, which fiddle-makers call a gauge, and there is nothing but the eye to guide the hand.
There are two excellent violins of this make in the collection — Mrs. Jay's, and the violm of Mr. C. J. Read, No. 75. This latter is the large pattern of those makers, and is more elegant than what is technically called the grand Amati, but not so striking.


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