Dancing for Strength And Beauty Renascent Dancing a Critical And Practical Tr
Dancing for Strength And Beauty Renascent Dancing a Critical And Practical Tr
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In our eReader you can find the full English version of the book. Read Dancing for Strength And Beauty Renascent Dancing a Critical And Practical Tr Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Dancing for Strength And Beauty Renascent Dancing a Critical And Practical Tr
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It should be generally understood that clubs, bars, dumb-bells and suchlike apparatus have no place whatever in the art of dancing. As I THE PEDAGOGICS OF DANCING 111 have already pointed out, gymnastics and dancing instruction are both good, each in its respective way ; but the object of the one is mainly develop- ment of frame and muscle, whilst the other is devoted chiefly to the culture of gracefulness in pose and motion. The exercises best adapted to produce these results are not necessari...ly antagon- istic, but they are altogether distinct. To pass immediately, as do many teachers, from the practice of dumb-bell exercises, in which the arm is held either vertically or horizontally while the bone of the upper arm (humerus) rotates in its socket, to the arm exercises proper to dancing, in which curved or circular action only is permitted, is manifestly absurd. Moreover, the mixing up of the exercises naturally confuses the pupils as to the proper management of their arms in dancing.
What to read after Dancing for Strength And Beauty Renascent Dancing a Critical And Practical Tr?
You can find similar books in the "Read Also" column, or choose other free books by Edward Scott to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
It should be generally understood that clubs, bars, dumb-bells and suchlike apparatus have no place whatever in the art of dancing. As I THE PEDAGOGICS OF DANCING 111 have already pointed out, gymnastics and dancing instruction are both good, each in its respective way ; but the object of the one is mainly develop- ment of frame and muscle, whilst the other is devoted chiefly to the culture of gracefulness in pose and motion. The exercises best adapted to produce these results are not necessari...ly antagon- istic, but they are altogether distinct. To pass immediately, as do many teachers, from the practice of dumb-bell exercises, in which the arm is held either vertically or horizontally while the bone of the upper arm (humerus) rotates in its socket, to the arm exercises proper to dancing, in which curved or circular action only is permitted, is manifestly absurd. Moreover, the mixing up of the exercises naturally confuses the pupils as to the proper management of their arms in dancing.
What to read after Dancing for Strength And Beauty Renascent Dancing a Critical And Practical Tr?
You can find similar books in the "Read Also" column, or choose other free books by Edward Scott to read onlineMoreLess
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