Discourses Delivered to the Students of the Royal Academy

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It would be no wonder if a student, frightened by these terrific and disgraceful epithets, with which the poor imitators are so often loaded, should let fall his pencil in mere despair (conscious as he must be, how much he has been in- debted to the labours of others, how little, how very little of his art was born with him) ; and consider it as hopeless, to set about acquiring by the imitation of any human master, what he is taught to suppose is matter of inspiration from heaven.
Some allowanc
...e must be made for what is said in the gaiety of rhetoric. We cannot suppose that any one can really mean to exclude all imitation of others. A position so wild would scarce deserve a serious answer; for it is apparent, if we were forbid to make use of the advantages which our predecessors afford us, the art would be always to begin, and consequently re- main always in its infant state; and it is a common observation, that no art was ever invented and carried to perfection at the same time.
But to bring us entirely to reason and sobriety, let it be observed, that a painter must not only be of necessity an imitator of the works of nature, which alone is sufficient to dispel this phantom of inspiration, but he must be as necessarily an imitator of the works of other painters : this appears more humiliating, but is equally true ; and no man can be an artist, whatever he may suppose, upon any other terms.


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