Dutch Etchers of the Seventeenth Century
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46.
1648. The Father of the Family. B. 33.
1652. The Wife Spinning. B. 31.
1653- The Tavern Brawl. B. 18.
Saying Grace. B. 34.
1671. The Cobbler. B. 27.
1678. 1 The Child and the Doll. B. 16.
To this may possibly be added The Humpbacked Fiddler (B. 44).
^ The last figure is doubtful. It is 8 according to Bartsch and Dutuit, but may also be 9.
24 DUrCH ETCHERS OF THE SEVENTEEKITH CENTURT Neither Bartsch nor Dutuit appears to have noticed a date on this plate ; but it seems clear that it is there..., following the signature, though obscured by lines. The writer inclines to decipher it as 1631 or 165 1 ; but it is impossible to be positive on the point. These data would doubtless serve many critics with material for constructing a chronological list of the whole of the etchings. But this amusement shall be left to the reader. The etchings, as a matter of fact, do not present any marked variety of treatment. Ostade was not, like Rembrandt, a master of many styles ; nor did he develop any particular style by continually surpassing his own successes.
What to read after Dutch Etchers of the Seventeenth Century?
You can find similar books in the "Read Also" column, or choose other free books by Binyon Laurence to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
46.
1648. The Father of the Family. B. 33.
1652. The Wife Spinning. B. 31.
1653- The Tavern Brawl. B. 18.
Saying Grace. B. 34.
1671. The Cobbler. B. 27.
1678. 1 The Child and the Doll. B. 16.
To this may possibly be added The Humpbacked Fiddler (B. 44).
^ The last figure is doubtful. It is 8 according to Bartsch and Dutuit, but may also be 9.
24 DUrCH ETCHERS OF THE SEVENTEEKITH CENTURT Neither Bartsch nor Dutuit appears to have noticed a date on this plate ; but it seems clear that it is there..., following the signature, though obscured by lines. The writer inclines to decipher it as 1631 or 165 1 ; but it is impossible to be positive on the point. These data would doubtless serve many critics with material for constructing a chronological list of the whole of the etchings. But this amusement shall be left to the reader. The etchings, as a matter of fact, do not present any marked variety of treatment. Ostade was not, like Rembrandt, a master of many styles ; nor did he develop any particular style by continually surpassing his own successes.
What to read after Dutch Etchers of the Seventeenth Century?
You can find similar books in the "Read Also" column, or choose other free books by Binyon Laurence to read onlineMoreLess
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