Essays; Including Essays in Criticism, 1865;

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Magion's, is a ballad-rhythm, but with a modification of his own. ' Holding it,' he teUs us, ' as an axiom, that rhyme must be abandoned,' he found, on abandoning it, ' an unpleasant void until he gave a double ending to the verse.' In short, iostead of sayiag lo Good people all with one accord Give ear unto my tale, Mr. Newman would say.
Good people all with one accord Give ear unto my story.
A recent American writer ^ gravely observes that for his countrymen this rhythm has a disadvantage in
...being hke the rhjH;hm of the American national air ' Yankee Doodle,' and thus provokiag ludicrous associations. ' Yankee Doodle ' is not our national air : for us Mr. Newman's 20 rhythm has not this disadvantage. He himself gives us several plausible reasons why this rhythm of his really ought to be successful : let us examine how far it is successful.
Mr. Newman joins to a bad rhythm so bad a diction, that it is difficult to distinguish exactly whether in any given passage it is his words or his measure which produces a total impression of such an impleasant kind.


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