Essentials in Conducting
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In our eReader you can find the full English version of the book. Read Essentials in Conducting Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Essentials in Conducting
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To quickly assess the difficulty of the text, read a short excerpt:
It is something like steering an automobile. When the violins, for instance, have the tune, I see to it that nobody hurries it or drags it or covers it up.
In polyphonic music containing imitative passages, the part having thesubject must be louder than the rest, especially at its firstentrance. This is of course merely a corollary of the generalproposition explained under number three, above.
In vocal music the accent and crescendo marks provided by the composerare often intended merely to ind...icate the proper pronunciation of somepart of the text. Often, too, they assist in the declamation of thetext by indicating the climax of the phrase, _i. E. _, the point ofgreatest emphasis.
The dynamic directions provided by the composer are intended toindicate only the broader and more obvious effects, and it will benecessary for the performer to introduce many changes not indicated inthe score. Professor Edward Dickinson, in referring to this matter inconnection with piano playing, remarks:[19] After all, it is only the broader, more general scheme of light and shade that is furnished by the composer; the finer gradations, those subtle and immeasurable modifications of dynamic value which make a composition a palpitating, coruscating thing of beauty, are wholly under the player's will.
What to read after Essentials in Conducting?
You can find similar books in the "Read Also" column, or choose other free books by Gehrkens Karl Wilson to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
It is something like steering an automobile. When the violins, for instance, have the tune, I see to it that nobody hurries it or drags it or covers it up.
In polyphonic music containing imitative passages, the part having thesubject must be louder than the rest, especially at its firstentrance. This is of course merely a corollary of the generalproposition explained under number three, above.
In vocal music the accent and crescendo marks provided by the composerare often intended merely to ind...icate the proper pronunciation of somepart of the text. Often, too, they assist in the declamation of thetext by indicating the climax of the phrase, _i. E. _, the point ofgreatest emphasis.
The dynamic directions provided by the composer are intended toindicate only the broader and more obvious effects, and it will benecessary for the performer to introduce many changes not indicated inthe score. Professor Edward Dickinson, in referring to this matter inconnection with piano playing, remarks:[19] After all, it is only the broader, more general scheme of light and shade that is furnished by the composer; the finer gradations, those subtle and immeasurable modifications of dynamic value which make a composition a palpitating, coruscating thing of beauty, are wholly under the player's will.
What to read after Essentials in Conducting?
You can find similar books in the "Read Also" column, or choose other free books by Gehrkens Karl Wilson to read onlineMoreLess
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