Eugène Delacroix

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Everything in the picture must be equally dwelt upon, equally emphasised ; there is no sacrifice, no mystery, no gloom. Texture and ambience are lost in the finished precision "oTirpiece o f staituaFy: *' 'i'hese pictures," says Delacroix, " have no epidermis . . . they lack the atmo- sphere, the lights, the reflections which blend into a harmonious whole objects the most dissimilar in colour " (Journal, January 1 3, 1857). Thus art became schooled to a doctrine and a science. " She must have n...o other guide than the torch of reason," says David, who lays down as a condition of 27 EUGE^iE DELACHpiX entrance to his studio that the pupil should know Latin !
This elaborate structure was necessarily doomed to destruction ; for though classicism as taught by David and his pupils still drags on a lingering and degenerate existence within the shelter of Academic portals, it has lost, with the enthusiasm, the conviction and the sincerity of its first professors, all that heroic grandeur which made it a vital force during its day.


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