Face to Face With Great Musicians

Cover Face to Face With Great Musicians
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There's not so much. It's what we are trying to do here in our national music that is worthwhile. Not of me. Because you see, there's not very much of me, and I've not done a terrible deal of things that make success. When I rummage in my brain-chests for the memories of days long vanished, I find my- self all at once in the days of my childhood, remem- 170 Face to Face with Great Musicians bering the things that gave me some little confidence in myself. For I had very little of that. ... I was... five when I first managed to play some music. I reached up over the keyboard and struck some chords. I was so proud — ^never have I done any- thing that made me happier! I wanted to play piano, how I wanted to do it. So my mother taught me, but I was very much shocked. I had to do exer- cises and terrible things of practice, and if I dreamed or tried to make some melodies, I would hear my mother's voice from her cooking in the kitchen, 'Fie, Eduard, F-sharp, F-sharp not F-natural.' But I hated practice, ooh, how it tortured me.

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