Frederick Archibald : Oral History Project [1979]
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In our eReader you can find the full English version of the book. Read Frederick Archibald : Oral History Project [1979] Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Frederick Archibald : Oral History Project [1979]
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But before that, the band was mostly in the pit, played for the show. But the show was the thing during those years. But, just like I say, in the early years I branched off and did comedy with White shows. So look how many years I had been with these big White shows, you see.
JW: Yes, but what was the difference between what you would do for a White audience and for a Black audience?
FA: Well, the White audience. . .the shows were dramatic shows and things that I was with, and was with some mus...icals too. But they were VJhite shows. Well, they gave you things to do, you see. They write things and you rehearse it. Now I was with the Beatrice Lily show, "The Show is On". Well, this is what I had to do: A 22-piece band would come out from the pit, and this man with this tailcoat and violin, ta-ti-ta-ti-ta-ti...Then I would come out in the middle of the stage and start talking, and then I'd say, "What do you chop when you chop a tree, A million things that you daily see; a baby's crib, a porch chair, a soap box do*"^ at Union Square, a-tap-a-tap-a-tap-a-tap, a rolling pin for dear old mother; a picket for the fence, a bucket for the well, a pole for America's..." But see, the music is playing Qie demonstrates how the violin is playing] and the man directing.
What to read after Frederick Archibald : Oral History Project [1979]?
You can find similar books in the "Read Also" column, or choose other free books by San Francisco African American Historical & Cultural Society to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
But before that, the band was mostly in the pit, played for the show. But the show was the thing during those years. But, just like I say, in the early years I branched off and did comedy with White shows. So look how many years I had been with these big White shows, you see.
JW: Yes, but what was the difference between what you would do for a White audience and for a Black audience?
FA: Well, the White audience. . .the shows were dramatic shows and things that I was with, and was with some mus...icals too. But they were VJhite shows. Well, they gave you things to do, you see. They write things and you rehearse it. Now I was with the Beatrice Lily show, "The Show is On". Well, this is what I had to do: A 22-piece band would come out from the pit, and this man with this tailcoat and violin, ta-ti-ta-ti-ta-ti...Then I would come out in the middle of the stage and start talking, and then I'd say, "What do you chop when you chop a tree, A million things that you daily see; a baby's crib, a porch chair, a soap box do*"^ at Union Square, a-tap-a-tap-a-tap-a-tap, a rolling pin for dear old mother; a picket for the fence, a bucket for the well, a pole for America's..." But see, the music is playing Qie demonstrates how the violin is playing] and the man directing.
What to read after Frederick Archibald : Oral History Project [1979]?
You can find similar books in the "Read Also" column, or choose other free books by San Francisco African American Historical & Cultural Society to read onlineMoreLess
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