From Holbein to Whistler Notes On Drawing And Engraving

Cover From Holbein to Whistler Notes On Drawing And Engraving
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Criticism of, 7.
Deceptive realism in, 100.
Dutch, 99.
Education, 154.
Emotion in, 28.
End of, 68.
End of, Ruskin, 3.
Essence of, 52.
Fact in, 42, 173.
Fine, 12.
Flemish, 70, 72.
Foundation of, Rossetti, 16.
Art, founded on nature, 41. German, 70, 72. German, 15th century, 83. Gothic, 141. Graphic, 68. Great, Ruskin, 17. Greek, 71.
History and origins of, 67. Hoarders, 149. Home subjects, 104. Ideal, 71. Idealism, 173. Imagination in, 117. Implication of, 4. Innovator in, Turner, 168. Italian,
...70.
Landscape, 19th century English, 165. Language of, 68. Less than nature, 117. Material side of, 14. Materials of, 9, 16, 69. Mechanical, 12, 17. Methods of, 16. Mission of, 10. Modern, 23.
More than nature, 71, 117. Not always beautiful, 14. Original, 161. Pattern in, 117. Personal equation, 154. Power of, 41. Practice of, 16. Processes of, 16. Pure, 171. Real work of, 117. Reason in, 28.
Recent German influence, 165. Regard for exact likeness, 72. Representative, 62; of nature, 151. Requisites for present study, 165.


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