Goodrichs Analytical Harmony a Theory of Musical Composition From the Composer
Goodrichs Analytical Harmony a Theory of Musical Composition From the Composer
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In our eReader you can find the full English version of the book. Read Goodrichs Analytical Harmony a Theory of Musical Composition From the Composer Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Goodrichs Analytical Harmony a Theory of Musical Composition From the Composer
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Therefore the following melodic notes can be accompanied with the passing diminished chord of w r hich any of these notes form a part : 1, 2 sharp, 4 sharp, 6. This presupposes that 2 sharp goes to 3, 4 sharp to 5, or 6 to 5. The tonic is usually included above, as it may be doubled freely. The following arrangements are most practicable, and should be transposed into several keys : Ex. 417.
6 5 As two notes of the discord resolve to the 5th of the concord, there is usually a choice of arrangem...ent in harmonizing the former. Either of the last two measures, for instance, may be used. By omitting the tonic above, there results a half-open position of the tonic triad. This would be equally effective in such instances as these : Ex. 418.
In the second measure 4 sharp goes down to 3, and not up to 5, but no objection to this could be sustained. The other arrangements (Ex. 417) are more conveniently handled.
The following theme, when harmonized as intended, will illustrate the manner in which a diminished chord is employed in a secondary capacity, as a passing harmony : GOODRICH'S ANALYTICAL HARMONY.
What to read after Goodrichs Analytical Harmony a Theory of Musical Composition From the Composer?
You can find similar books in the "Read Also" column, or choose other free books by A J Alfred John Goodrich to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Therefore the following melodic notes can be accompanied with the passing diminished chord of w r hich any of these notes form a part : 1, 2 sharp, 4 sharp, 6. This presupposes that 2 sharp goes to 3, 4 sharp to 5, or 6 to 5. The tonic is usually included above, as it may be doubled freely. The following arrangements are most practicable, and should be transposed into several keys : Ex. 417.
6 5 As two notes of the discord resolve to the 5th of the concord, there is usually a choice of arrangem...ent in harmonizing the former. Either of the last two measures, for instance, may be used. By omitting the tonic above, there results a half-open position of the tonic triad. This would be equally effective in such instances as these : Ex. 418.
In the second measure 4 sharp goes down to 3, and not up to 5, but no objection to this could be sustained. The other arrangements (Ex. 417) are more conveniently handled.
The following theme, when harmonized as intended, will illustrate the manner in which a diminished chord is employed in a secondary capacity, as a passing harmony : GOODRICH'S ANALYTICAL HARMONY.
What to read after Goodrichs Analytical Harmony a Theory of Musical Composition From the Composer?
You can find similar books in the "Read Also" column, or choose other free books by A J Alfred John Goodrich to read onlineMoreLess
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