Harmony in Pianoforte Study a book for the Individual Student
Harmony in Pianoforte Study a book for the Individual Student
Ernest Fowles
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(Ex. 95. ) Auxiliary Sounds 47 Ex. 05. Allegro. Note 60. We have seen that the use of auxiliary sounds below the members of a chord entails the introduction of chromatic sounds on those foreign to the key-signature. Sounds of this nature may be freely employed in passing from chord to chord, provided that the one con- dition common to the use of all auxiliary sounds be observed that resolution be effected strictly by conjunct means or, in other words, by the step of a 2nd. (Cf. Note 55. ) Ex. 9...6 contains sounds of this kind. Ex. 96. i Note 61. RAe student is now in a position to improvise progres- sions formed upon the tonal harmonies generally, and it should be his ambition steadily to increase the number of chords used. The chordal 48 Harmony in Pianoforte-Study successions outlined in Step XCVI have been frequently used as ex- amples of basic harmonies, and they possess, at least, the merits of simplicity and directness. But the student must no longer be content to limit his exemplification to harmonic conventions; on the contrary, he must begin to experiment in the broadest possible manner.
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