Hebbels Nibelungen Its Sources Method And Style
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To quickly assess the difficulty of the text, read a short excerpt:
186; Kuh II. 221 ff. L Ibid. 191.
8 Nachl. I. 187, 419; Tgb. III. 3874. Tgb. III. 4244 f.
100 In the autobiographical sketch which he sent to F. A. Brock- haus in Leipzig, September 15, 1852, Hebbel recalls the first performance with great vividness. "One evening, namely, when I went into the Court Theatre or rather, considering my aversion to the real stage with its repertoire, was dragged in, I saw Fraulein Christine Enghaus, as Chricmhilde in Ernst Raupach's Nibelungen-Hort. Never did I expe...rience a similar impression, and yet I had seen much, and among others, very often the actress Rachel. This growing of the demon in the maiden, who is at the beginning so tender, so lily-like, so timid, this gradual rise to sudden action (Aujzucken), this final fear- ful bursting forth of a whole hell in the oath of vengeance: it was one of the highest conceivable pictures of the actor's art, and was received by the public with the greatest applause, which often lasted five minutes. " * In 1853, in his article on the week in the theatre, which was published anonymously in Der Wanderer, Vienna, January 26th, he referred to his wife's performance in the "Nibelungen- Hort" as follows: "Chriemhilde is the most famous role of Frau Hebbel, nor is it indeed possible to depict with more agitating truthfulness, and yet without overstepping the boun- dary of the beautiful, the transition from the timid, modest maiden, who hides shamefaced from the secretly beloved one, to that fearful demon of vengeance who cuts off the head of her own brother like a thistle-top.
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To quickly assess the difficulty of the text, read a short excerpt:
186; Kuh II. 221 ff. L Ibid. 191.
8 Nachl. I. 187, 419; Tgb. III. 3874. Tgb. III. 4244 f.
100 In the autobiographical sketch which he sent to F. A. Brock- haus in Leipzig, September 15, 1852, Hebbel recalls the first performance with great vividness. "One evening, namely, when I went into the Court Theatre or rather, considering my aversion to the real stage with its repertoire, was dragged in, I saw Fraulein Christine Enghaus, as Chricmhilde in Ernst Raupach's Nibelungen-Hort. Never did I expe...rience a similar impression, and yet I had seen much, and among others, very often the actress Rachel. This growing of the demon in the maiden, who is at the beginning so tender, so lily-like, so timid, this gradual rise to sudden action (Aujzucken), this final fear- ful bursting forth of a whole hell in the oath of vengeance: it was one of the highest conceivable pictures of the actor's art, and was received by the public with the greatest applause, which often lasted five minutes. " * In 1853, in his article on the week in the theatre, which was published anonymously in Der Wanderer, Vienna, January 26th, he referred to his wife's performance in the "Nibelungen- Hort" as follows: "Chriemhilde is the most famous role of Frau Hebbel, nor is it indeed possible to depict with more agitating truthfulness, and yet without overstepping the boun- dary of the beautiful, the transition from the timid, modest maiden, who hides shamefaced from the secretly beloved one, to that fearful demon of vengeance who cuts off the head of her own brother like a thistle-top.
What to read after Hebbels Nibelungen Its Sources Method And Style?
You can find similar books in the "Read Also" column, or choose other free books by Annina Periam Danton to read onlineMoreLess
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