How to Practice On the Piano: Reflections And Suggestions
How to Practice On the Piano: Reflections And Suggestions
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To quickly assess the difficulty of the text, read a short excerpt:
Here, too, the hand must be kept perfectly quiet, which at first is difficult, especially in passing the thumb under the 2d finger in the minor keys.
36 HOW TO PRACTISE ON THE PIANO.
No. 28 For practising this exercise with the greatest profit, it is advisable to hold in both hands the notes for the thumb and 5th finger as quarter-notes.
The left hand plays two octaves lower.
No. 29 A crescendo at so that the tones struck by the 2d and 4th fingers may sound loud and distinct. The exercise shoul...d be practised chiefly in those keys in which the 2d and 4th fingers have to strike black keys.
No. 30 To be played loud, the 5th finger well bent. Any tempo is suitable.
No. 31. Rather slow. The elbows must lie close, so that in passing the fingers over or under the hand may retain its position unchanged. Even though the body should follow the motions of the fingers, the arms must remain firm in position. This very useful exercise may, without fatigue, be carried through all the keys at one time.
What to read after How to Practice On the Piano: Reflections And Suggestions?
You can find similar books in the "Read Also" column, or choose other free books by H Heinrich Ehrlich to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Here, too, the hand must be kept perfectly quiet, which at first is difficult, especially in passing the thumb under the 2d finger in the minor keys.
36 HOW TO PRACTISE ON THE PIANO.
No. 28 For practising this exercise with the greatest profit, it is advisable to hold in both hands the notes for the thumb and 5th finger as quarter-notes.
The left hand plays two octaves lower.
No. 29 A crescendo at so that the tones struck by the 2d and 4th fingers may sound loud and distinct. The exercise shoul...d be practised chiefly in those keys in which the 2d and 4th fingers have to strike black keys.
No. 30 To be played loud, the 5th finger well bent. Any tempo is suitable.
No. 31. Rather slow. The elbows must lie close, so that in passing the fingers over or under the hand may retain its position unchanged. Even though the body should follow the motions of the fingers, the arms must remain firm in position. This very useful exercise may, without fatigue, be carried through all the keys at one time.
What to read after How to Practice On the Piano: Reflections And Suggestions?
You can find similar books in the "Read Also" column, or choose other free books by H Heinrich Ehrlich to read onlineMoreLess
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