Hymns Their History And Development in the Greek And Latin Churches Germany An
Hymns Their History And Development in the Greek And Latin Churches Germany An
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Many hymns, in various languages, have been founded upon St. Ber- nard's " Jesu dulcis memoria" ("Jesu, the very thought of Thee"), "Jesu dulcedo cordium" ("Jesu, Thou joy of loving hearts"), "Jesu Rex admirabilis" ("O Jesu, King most wonderful "), and "Jesu, decus Angeli- cum" ("O Jesu, Thou the Beauty art") four portions of one poem, nearly 200 lines long. Marbode (Bishop of Rennes) in the eleventh, Hildebert (Archbishop of Tours) in 70 HYMNS the twelfth, and Cardinal Bonaventura in the thirt...eenth centuries, are other eminent men, who added poetical fame, as hymno- graphers, to high public distinction.
Before the time of the Reformation, the multiplication of sequences (often as unedi- fying in matter as unpoetical in style) had done much to degrade the common concep- tion of hymnody. ^ In some parts of France, Portugal, Sardinia, and Bohemia, their use in the vernacular language had been allowed. In Germany also there were vernacular sequences as early as the twelfth century, specimens of which may be seen in the third chapter of Miss Winkworth's Christian Singers of Germany.
What to read after Hymns Their History And Development in the Greek And Latin Churches Germany An?
You can find similar books in the "Read Also" column, or choose other free books by Roundell Palmer Selborne to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Many hymns, in various languages, have been founded upon St. Ber- nard's " Jesu dulcis memoria" ("Jesu, the very thought of Thee"), "Jesu dulcedo cordium" ("Jesu, Thou joy of loving hearts"), "Jesu Rex admirabilis" ("O Jesu, King most wonderful "), and "Jesu, decus Angeli- cum" ("O Jesu, Thou the Beauty art") four portions of one poem, nearly 200 lines long. Marbode (Bishop of Rennes) in the eleventh, Hildebert (Archbishop of Tours) in 70 HYMNS the twelfth, and Cardinal Bonaventura in the thirt...eenth centuries, are other eminent men, who added poetical fame, as hymno- graphers, to high public distinction.
Before the time of the Reformation, the multiplication of sequences (often as unedi- fying in matter as unpoetical in style) had done much to degrade the common concep- tion of hymnody. ^ In some parts of France, Portugal, Sardinia, and Bohemia, their use in the vernacular language had been allowed. In Germany also there were vernacular sequences as early as the twelfth century, specimens of which may be seen in the third chapter of Miss Winkworth's Christian Singers of Germany.
What to read after Hymns Their History And Development in the Greek And Latin Churches Germany An?
You can find similar books in the "Read Also" column, or choose other free books by Roundell Palmer Selborne to read onlineMoreLess
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